“Captain America” review
Posted by Hube on 2011/07/23
SPOILERS BELOW THE FOLD!
The background story is fairly true to the original comicbook tale (unlike the dreadful 1990 straight-to-video version that almost saw the theatre). Chris Evans does a good job in the title role of Steve Rogers, and the CGI effects used to portray him as a 98 lb. weakling pre-super soldier formula are amazing. The film is also supposed to portray, apparently, the “Ultimate” version of the hero — the alternate reality “updated” Capt. America.
The film does what it’s supposed to — make the necessary connections to the various other Marvel movies of recent years (“Iron Man,” “Iron Man 2,” “Thor,” “The Incredible Hulk”) to lead us to next year’s “The Avengers.” Tony Stark’s father, Howard, plays a big part in the film in the role of civilian technical adviser. He’s also responsible for designing Cap’s iconic shield. Hugo Weaving is superb as the Red Skull, oozing evil deviousness as well he should. His principal weapon, the Cosmic Cube, is mentioned to be one of Odin’s artifacts from Asgard, a neat and obvious connection to “Thor.”
Be sure, if you’re a fanboy, to make careful note of the “World of Tomorrow” fair (or whatever the actual name was) that Steve and pal Bucky Barnes go to before Steve becomes Cap. You’ll notice several homages to classic Marvel lore, notably Professor Phineas Horton’s “synthezoid” — who just happens to be the Original Human Torch standing in a large glass tube.
Bucky dies, true to the comic. It’s falling from a train this time, though, not from a plane as in the comic.
There was no shortage of American flags and other red, white and blue!
Hayley Atwell as Agent Peggy Carter. YOWSAH!!
The ending: This is taken directly from the pages of The Ultimates, where SHIELD attempts to “ease” Cap back into the modern world by pretending he’s still in the 1940s. When Steve realizes it’s a ruse, he busts out of the building, tearing up SHIELD personnel along the way.
Frankly, the NY Post has a point in its criticism of the film. Where the hell are the Nazis?? The Red Skull is a Nazi, and while there are several references to Hitler and his fellow goose-steppers, the Skull is actually part of HYDRA, somehow made into an SS-like rogue subdivision of the Nazi Party. I can’t even remember seeing a swastika in the film, for heaven’s sake. And the sad thing is, there is absolutely no reason to make this change for the film. It just adds an unnecessary layer to the plot. Debbie Schlussel, who I usually cannot take, is spot-on in her criticism of this.
Then there was the lack of action. Or, I should clarify, the lack of hand-to-hand action that makes Cap what he is. There was too much “big” action — Cap and the Howling Commandos tearing up that advanced HYDRA base, for example — and a disappointing lack of Cap doing what he does best. The few scenes of such that there were were done very well.
The Red Skull is light-years smarter than Howard Stark? Since when?? The scene where Stark takes a gander at the submarine captured by Cap shortly after Professor Erskine’s murder is befuddling. He says, “I don’t recognize ANY of this stuff” (or something similar) which means the stuff is so advanced, the greatest scientific mind in the US is totally clueless! At first I was thinking that, since this is supposed to be the “Ultimate” version of Cap, the alien Chitauri/Skrulls were responsible for the advanced technology as they were in the first series of The Ultimates. But this was not the case! The Red Skull (and righthand man Arnim Zola) were genius enough to create weapons technology so far advanced that not even America’s greatest mind could comprehend it. Right. Uh huh. How would that happen, precisely?
Historical accuracy. African-American troops didn’t exactly serve alongside white troops during WW2. In fact, aside from only a few instances, they served exclusively in segregated units. But if we believe what we see in “Cap,” it seems President Truman’s order desegregating the military occurred five years earlier. If you think about it, this is really a silly nod to political correctness. There have been ample stories about Cap’s unhappiness with the racism towards, and segregation of, blacks in the WW2 military (including an emotional one in an Ultimates annual). The film could have made a [powerful] statement about prejudice and bigotry (via Cap), especially since an African-American did indeed serve in the Howling Commandos: Gabe Jones.
While the background of Rogers was done pretty well, they leave out an important aspect: How he became the incredible fighter that he is. The film concentrates on him becoming a USO performer (which, admittedly, was done well and was a cool comic touch), but it just assumes that because he received the super soldier serum, he automatically becomes the best fighter the world has ever seen. Wrong! The transformation made Rogers a lot stronger and durable than the average guy. It didn’t imbue him with fighting prowess. For a good example of how this story should be told, check out John Byrne’s superb 40th anniversary issue of Cap, #255 from 1981.
Why did Cap have to crash the giant B-2-like aircraft at film’s end? Peggy Carter — rightly — tells Steve that there are several sites where he can land the craft. For some inexplicable reason he says he can’t do that, and he’ll have to ditch it into the water. I assumed it was because of the plane’s autopilot; however, Steve quickly pushes down on the jet’s stick, causing it to descend rapidly. If he can control the jet, why can’t he do what Carter said?
WTF? Dept.: Why in the hell were the [atomic?] bombs destined for various American cities painted with their city names on them in affectionate “Enola Gay”-like style? This made absolutely no sense considering the design of the lettering, not to mention it was all in English!
Too long. The flick could have trimmed at least 15 minutes and you wouldn’t have missed anything of value.
HUBE’S RATING: 2.5 shields out of 5.
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